Albert Maysles, the prolific documentarian behind landmark films like Gimme Shelter and Grey Gardens, has died at the age of 88. His final film, Iris, will be released next month. With his brother ...

Maysles was best known for his work on the Rolling Stones film Gimme Shelter and Grey Gardens Filmmaker Albert Maysles, whose pioneering documentary work chronicled some of rock music’s most ...

Albert Maysles, the documentary filmmaker known for Gimme Shelter, Grey Gardens and Salesman, died Thursday night at the age of 88. Maysles will be remembered as a pioneering storyteller who was ...

Albert Maysles, the Emmy Award-winning documentarian who, with his brother, David, made intensely talked-about films including “Grey Gardens” and “Gimme Shelter” with their American version of cinema ...

Maysles presents his film “Salesman” at DOC NYC 2014. Here, Maysles is interviewed about his documentary “Salesman” (1968), which follows four traveling salesman who sell Bibles door-to-door in ...

Albert Maysles, the acclaimed documentary filmmaker who helped pioneer feature-length nonfiction movies that used lightweight, hand-held cameras to spontaneously record the lives of both the famous ...

The 88-year-old filmmaker watched the final cut of the film five days before he died last month, said producer Erika Dilday: "He watched it and said, 'That's good.'" By Chris O'Falt In legendary ...

See more of our trusted coverage when you search. Prefer Newsweek on Google to see more of our trusted coverage when you search. Updated | Iconic documentary filmmaker Albert Maysles died on March 5 ...

Before he died, Maysles (who also made Grey Gardens) said In Transit was his "dream film." But questions about who owns the rights has made it... Documentary Giant Albert Maysles' Last Film, 'In ...

Albert Maysles was the least judgmental of documentary filmmakers, which is one compelling reason that Gimme Shelter holds up as the greatest of rock docs, 45 years after its release. The objective ...

Direct cinema, or cinema verité, is somewhat out of favor these days, as audiences with shorter attention spans (blame the remote control, not Vine) prefer the pace and payoff of reality TV to ...