Hopper, here as elsewhere, demonstrates his extraordinary ability to invest an ordinary scene with a perplexing ambiguity, with several narratives suggested but none of them realized. But in the ...
NEW YORK — As 1938 came to a close, painter Edward Hopper was a man on a mission. Again and again, he would pick up his sketchbook and head for a cluster of New York City movie theaters. Sometimes it ...
The Museum of Fine Arts in Boston is exhibiting nearly 100 of the master modernist’s pictures, including “Automat,” “Nighthawks” and other seething slices of stoic solitude. In November, when the show ...
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