LONDON — In the summer of 1975, WWD reported that Jacqueline Kennedy Onassis made a rare appearance at the Metropolitan Opera House after the death of her shipping tycoon husband, Aristotle Onassis.

With unbridled passion, devastating heartbreak and unspoken regret, Tatyana’s love is rejected by Onegin, who, a little too late, realizes his mistake. Don’t miss this unforgettable journey through ...

Great Performances at the Met presents Tchaikovsky’s Eugene Onegin. Anna Netrebko stars as Tatiana, the naïve heroine of Tchaikovsky’s opera, with Peter Mattei as the title character who rejects her.

Celebrating its 60th Year, the grand passions and lush melodies of Pyotr I. Tchaikovsky's EUGENE ONEGIN open The Dallas Opera's exciting 2016-2017 Season. The Linda and Mitch Hart Season Opening Night ...

Arizona Opera has mounted Tchaikovsky’s “Eugene Onegin” just once in its 43 seasons — back in the 1999-2000 season. It’s not an easy piece to cast; there aren’t too many people who sing in Russian ...

Tchaikovsky's "Eugene Onegin" is a story of strong emotion accommodating itself, painfully but with resigned acceptance, to external reality. Dreams of romantic love prove untenable, or merely ...

Allison Pohl as Tatyana and Mysha Myznikov as Onegin in the Tacoma Opera production of “Eugene Onegin” by Tchaikovsky. PETER SERKO Courtesy Three hours of tragic Russian opera is not everyone’s cup of ...

At first blush, Eugene Onegin looks like a total jerk. A rich 19th-century dandy, he callously rejects the girl who’s fallen for him, seduces her sister, kills her brother-in-law and then crawls back ...

Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. As any ballerina worth her salt knows, appearing as Tatyana in John Cranko’s Onegin is an irresistible, ...

Audiences at the sold-out Lucie Stern Theatre in Palo Alto last weekend were treated to stunning performances that bring together outstanding voices, imaginative choreography and clever ...

The appeal of John Cranko’s Onegin is its leading characters, star parts with stormy emotions for dancers to get their teeth into. It returns to the Royal Ballet with a fascinating mix of established ...

It helps that I’ve seen Onegin three times since the Autumn (a not-so hidden gem then, if you’re paying attention): Deborah Warner’s traditional-dress production at ENO; the small-scale English ...