A sophisticated, slightly sweet, and satiric tone sweeps over the characters of the luxuriously professional production of the musical Some Like it Hot, now touring at The National Theatre. From the ...
This is read by an automated voice. Please report any issues or inconsistencies here. It’s hard to discern a unifying theme in the best film scores of 2025. This year’s cinema certainly favored the ...
The National Theatre has a long record of starry revivals so this version of John Millington Synge’s The Playboy of the ...
Despite a sluggish start on the festival circuit, the Netflix film has emerged as one of the year’s stronger Oscar contenders ...
“Frankenstein” director Guillermo del Toro first read the novel when he was a child — and was left captivated by the misunderstood monster. “I immediately knew the creature was me,” he told Page Six ...
Back in 2021, Hannah’s love of all things nerdy collided with her passion for writing — and she hasn’t stopped since. She covers pop culture news, writes reviews, and conducts interviews on just about ...
The biggest issues with the musical adaptation of 'Water for Elephants' is that it doesn’t seem to know what it’s trying to be, and the choreographic and performance talent in this tour would be ...
Frankenstein director Guillermo del Toro has revealed that he used a different frame rate for the scenes between Jacob Elordi's Creature and Mia Goth's Elizabeth – and that's one of the reasons why ...
As a kid, Guillermo del Toro drew pictures of the creature from Mary Shelley’s “Frankenstein”; as a young filmmaker, he dreamed of making his own version of the tale that had been spawning classic ...
Julio is a Senior Author for Collider. He studied History and International Relations at university, but found his calling in cultural journalism. When he isn't writing, Julio also teaches English at ...
The 10th anniversary edition of production event Focus, which takes place at Business Design Centre, London, on Dec. 8–9, includes case studies of “Frankenstein,” “Warfare” and “28 Years Later: The ...